Prayag Vocals Year 4 by Rishabh Vishwakarma

Types of songs Tappa, Thumri, Tarana, Tirvat, Baturang, Bhajan, Geet, Ghazal etc (management, vaastu etc.) metal unbounded songs

The division of the Shrutis into notes (modern and ancient) of twenty-two (22) strings, the length of the drawn strings' relation with the height-depth of the sound

Comparison of swaras of southern and northern Hindustani systems in determining the timing of ragas. Significance of Purvanga-Uttrang, Chhayalag and narrow raga, Parmel Praveka raga, Time-cycle of ragas,

Composition of 32 Ghats from the North Indian saptak, Ancient names of modern Thaats, Tirobhava appearance, Alpatva Bahuva comparative study of ragas and raga-recognition.

Comparative study of both Vishnu Digambar and Bhatkhande scripts Practice of writing songs in both systems

The biography of Bharata, Ahoyal, Vyankatamkhi and Mansingh and the description of their musical works.

Method to find out the place of starting of all the talas of the course of dugun, tigun, chaugun by mathematics. Practice of writing the different laykaris in tala-script other than dugun, tigun, chaugun.

Special practice of vocal knowledge, Knowledge of singing and recognizing difficult vocal groups

Special knowledge of mixing Tanpura and Tabla performance of different rhythms by clapping with the help of numbers

Dugun (two quantities in one quantity), Tigun (3 in 1 st) Chaugun (4 in 1), Aad (3 in 2) and reverse of Aad (3 in 2 quantities), Pauguna (3 in 4) and Savagun (4 In 5) the display of quantities. hard and beautiful alaps and tana exercises

Raga Deshkar, Shankara, Jayjayvanti, Kamod, Marwa, Multani, Sohni, Bahar, Purvi in these ragas 1-1 with vilambit and drut khayal and Aalap, Tan, Bol-tan

In any two of the above mentioned ragas, 1-1 Drupadh and in any two 1-1 Dhamar with only Thah, Dugun, Tigun, and Chaugun and ability to sing a chord

Special proficiency in singing Khayal

Practice of speaking Jat and Aada Chartal in full, General knowledge of Tappa and Thumri contracts.

Identifying ragas by swara-groups.

Showing equality, variation in ragas in singing