<ul>
	<li>Knowledge of Thaath,Shudha Swaras, Vadi, Samvadi, Audav-Shadav,Aaroh-Avroh and one Chhota Khayal in each raga of the first year course.</li>
	<li>Knowledge of Shudha and Vikrit Swaras, Alankar, Nad, Saptak, Mela, Raga, Jati, Alap, Tan and Pakar.</li>
	<li>Knowledge of Taal Keherva, Taal Daadra, Taal Teen Taal.</li>
	<li>Ragas: asavari (shuddha rishabh), Bibhas,Kaafi, Khamaj, Bhup, Bageshri, Vridavani Sarang, Bhimpalas, Durga, Des.</li>
</ul>

<ul>
	<li>Matric Music Knowledge of Sangeet Dhwavni, Naad, Shruti, Saptak, Aaroh-Avroh, Gruh, Ansh, Nyas Swar, Purvang, Uttarang, Purva-Uttar Raag, Shudh, Chayalagh, Sankeerna Raag, Vakra Swar, Meend, Kampan, Sparsh Swar, Gamak, Ghaseet.</li>
	<li>Geet Ke Prakat &ndash; Dhrupad, Dhamar, Khayal (Vilambit), Drut Bhajan.</li>
	<li>Knowledge of systems of Hindustani and Carnatic music</li>
	<li>Swaralipi of Vishnu Digambar Paluskar and Vishnu Narayan Bhatkhande paddhati.</li>
	<li>Biography of Pt. Vishnu Digambar Paluskar and Swami Haridas, Alp Parichay of Gandharva Mahavidyalaya.</li>
	<li>Raag &ndash; Pratham Varsh ke raagon ki punaravrutti, Bade Khayal in Yaman and Bhup Raag (Keval Bandish), Alhaiya Bilawal, Vrundavani Sarang, Bhairav, Bihag, Kedar, Tilak Kamod, Asasavari, Bhairavi. In these Raag Prarambhik Alap and Madhya Laya Khayal with Alap Taan.</li>
</ul>

<ul>
	<li>Madhya Laya Khayals with improvisations in Jaunpuri, Malkauns, Hamir, Patdeep, Tilang, Deskar, and Kalingda.</li>
	<li>Vilambit and Drut Khayals with improvisations in Bhoopali, Yaman (Kalyan) Bageshri and Bihag.</li>
	<li>Tala: Jhumra, Vilambit Ektal, Sultal, Tilwada, Dhamar.</li>
	<li>Definition of Anulom, Vilom, Meend, Gamak, Sut, Ghaseet, Jamjama, Murki, Choot.</li>
	<li>Writing Dugun and Chaugun of Dhrupad and Dhamar; detailed knowledge of Swaralipi of Vishnu Digambar and Bhatkhande paddhati.</li>
</ul>

<ul>
	<li>Madhyam Laya Khayals with improvisations in Chhayanat, Kamod, Gaud Sarang, Jaijaoiwanti, Pooriya dhanashree, Shankara; Vilambit and Drut Khayals with improvisations in Jaunpuri, Malkauns, Bhairav, Bhimpalasi, Brindavani Sarang and Kedar.</li>
	<li>Taal - Rupak, Dipachandi, Chautal, dugun.</li>
</ul>

<ul>
	<li>Madhya Laya Khayals with improvisations.</li>
	<li>Vilambit and Drut Khayals with improvisations in ragas Gaud Sarang, Shankara, Jaijaivanti, Puriya Dhanashri, Hamir, Kamod, Madhyalay Khayal Miya Malhar, Mulatani, Mharubihag, Puriya, Shudhdha Kalyan, Darabari Kanada, Bahar. knowledge of singing from written Swaralipi; knowledge of Ada Chautal, Jhoomara, Dipachandi, Panjabi.</li>
	<li>Dhrupad-Dhamar in Dugun, Tigun, Chaugun and Chhagun.</li>
	<li>Writing in Swaralipi (notation).</li>
	<li>Classification of Ragas.</li>
	<li>Biographies of ancient musicians.</li>
</ul>

<ul>
	<li>Madhya Laya Khayals with improvisations in and Vilambit and Drut.</li>
	<li>Khayals with improvisations in Bhairav, Komalrishabha Asawari, Deshkar, Madhamad Sarang, Puria kalyan, Hamir, Bhupali, Kalavati, Gorakh Kalyan, Bahar.</li>
	<li>Detailed knowledge of these Ragas and also of Dhrupad, Dhamar, Maseetkhani and Razakhani Gat, Trivat, Chaturang; Vilambit and Drut Khayal, Thumri, Pad Kavita.</li>
	<li>Knowledge of different kinds of Layakaris of the talas: Matta, Sawari, Brahma, Laxmi, Rudra.</li>
	<li>Appropriate knowledge of the divisions of Shruti war as in ancient, medieval and modern times.</li>
	<li>Comparison of Hindustani and Karnatak tala systems.</li>
	<li>Knowledge of Gram, Moorchhana, Kalawant, Pandit, Vaggeyakar, Khandarbani, Nauharbani, etc. Varieties of Gamak, Rag-ragini paddhati, That paddhati and Raga paddhati.</li>
	<li>Biographies of Bharatmuni,Sharangdev,Matang,Raamaamatya,Ahobal,Aachaary Brihaspati,Thakur Jayadev Sing.</li>
	<li>Raagas - In detail- Vilambit Miya Malhar, Mulatani, Mharubihag, Puriya,Shudhdhakalyan, Darabari Kanada. Drut - Bibhas, Lalit, Todi, Basant, Sohani, Hindol, Marava.</li>
</ul>

<ul>
	<li>Introduction to Music: Provides an overview of music as an art form and introduces the basic concepts of rhythm, melody, harmony, and timbre.</li>
	<li>Understanding Pitch: Explains what pitch is and how it is represented on a keyboard. Covers concepts such as frequency, tone, and tuning.</li>
	<li>Body Posture &amp; Approach for Keyboard Playing: Discusses proper body posture and technique for keyboard playing to minimize tension and fatigue and improve performance.</li>
	<li>Finger Exercises for Keyboard Playing: Provides exercises for developing finger strength, dexterity, and agility to improve keyboard playing.</li>
	<li>Basic Musicianship: Covers the fundamentals of music theory, including notation, rhythm, meter, and key signatures.</li>
	<li>Introduction to Musical Scales: Introduces the concept of musical scales and covers the most common scales used in Western music, including the chromatic, major, and natural, harmonic, and melodic minor scales.</li>
</ul>

<ul>
	<li>Understand the basics of ledger, staff, clefs, signatures, note length, and rhythm.</li>
	<li>Read and write music notation for more complex keyboard pieces.</li>
	<li>Understand and play triad chords and broken chords.</li>
	<li>Understand and play chord inversions.</li>
	<li>Play more complex musical pieces on the keyboard.</li>
	<li>Apply music theory and harmony concepts to playing keyboard pieces.</li>
</ul>

<ul>
	<li>Matric Music Knowledge of Sangeet Dhwani, Naad, Swar, Shudh Swar, Vikrut Swar, Varjit Swar, Saptak, Mel, Alankar, Raag, Jati (Audav, Shadav, Sampoorna), Vadi, Samvadi, Pakad, Alap, Tan, Swar Malika, Lakshan Geet, Sthayi, Antara, Lay (Vilambit, Madhya, Dhrut), Matra, Taal, Bibhag, Sam, Khali.</li>
	<li>Ragas: Bageshri, Khamaj, Yaman, Kaafi, Bhimpalasi, Bhoopali.</li>
	<li>Tala: Ektal, Chautal, Jhaptal.</li>
	<li>&nbsp;Knowledge of systems of Hindustani and Carnatic music; specialities of Nad, Varna, Swaralipi of Vishnu Digambar and Bhatkhande paddhati.</li>
	<li>Definitions: Khayal, Dhrupad, Dhamar, Tappa, Thumri, Bhajan, Ghazal, Shruti, Janak and Janya Raga, Grah Ansha, Nyas, Meend, Kana Swara, Poorvang, Uttarang, Sankeerna Ragas, Gat, Tora, Sparsh, Krintan, Mizrab. Biography of Pt. Vishnu Digambar Paluskar.</li>
</ul>

<ul>
	<li>Voice Basics: Breathing, Control, Diction
	<ul>
		<li>Understanding the mechanics of breathing while singing and applying proper breath control</li>
		<li>Developing clear and articulate diction while singing</li>
		<li>Improving vocal range and tone quality by practicing scales, arpeggios, and other vocal exercises</li>
	</ul>
	</li>
	<li>Hindustani Classical Music Theory &amp; Practice
	<ul>
		<li>Basic principles of Hindustani classical music, including the study of raags (melodic frameworks), taals (rhythmic cycles), and sargam (vocal notation)</li>
	</ul>
	</li>
	<li>Light Music: Gazals, Bhajans, Folk &amp; Bollywood Songs
	<ul>
		<li>Learning to sing popular Indian light music genres such as gazals (lyric poetry), folk songs, and Bollywood film songs</li>
		<li>Analyzing and interpreting lyrics and melodies of light music compositions, and learning to apply appropriate vocal techniques and styles to different light music genres</li>
	</ul>
	</li>
	<li>Vocal Performance - Preparing and performing Indian light music compositions in a live setting, and developing performance skills such as stage presence, mic technique, and audience interaction</li>
</ul>

Teachers Details

Apurv Malviya

Apurv Malviya